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Mastar Sridhar Pant is a man of principles the village where he teaches doesn't value qualities.A Tamasha troupe led by a female dancer Chandrakala enters the village. Chandrakala steals the heart of everyone frustrated with this Mastar demolishes her temporary shelter.In order to seek revenge she stays in the village where in adult school students also start to attend the Tamasha.Mastar decides to comfort Chandrakala again but during her performance she gets injured and as humanity he goes to aid her eventually following in love with her.Mastar tells Chandrakala to keep their relationship a secret but Bajirao whose against Mastar sees him frequently visiting Chandrakala and tries to expose him.
Big-budget movie with over 69 songs. 'The Hindi Devmala [Hindi Pantheon] with the Islamic Ravaiyat' are crystallized into a plot structure revolving around a benevolent king whose moral fibre is tested by celestial powers as they cause an apsara (a fairy) to appear before him as a fallen woman begging for mercy.
When Bhagwan Shri Narad Muni informs the inhabitants of Swarglok about Raja Harishchandra's compassion and generosity, Sage Vishwamitra decides to verify this for himself and travels to meet the Raja. Once there, he demands the Raja's kingdom, and after receiving it, asks one of his disciples to be the new Raja. Not satisfied, he asks Harishchandra, his wife, Taramati, and son, Rohidas, to take off all their ornaments and royal clothing, go into exile, as well as labor, earn a thousand gold coins in two months, and remit this to him as his Dakshina. Harishchandra agrees, and re-locates to Kashi where his entire family work to collect wood for a cemetery, and then are hired by Mahajan Ganganath. At the end of two months, all they accumulate is a mere 10 gold coins. It is then Harishchandra decides to sell himself in the slave market - a decision that will alter their lives forever.
Neera is trapped into marrying an old widower Kakasaheb. Neera refuses to consummate the union claiming that while suffering can be borne, injustice cannot. Neera faces many hurdles.
Theatrical adaptation: An impoverished Indian girl elopes with a King but their marriage is not destined to last for long.
Sant Eknath, a 16th-century poet-saint who challenges caste discrimination by serving and dining with the untouchables. His actions provoke outrage from orthodox Brahmins, leading to his excommunication. Despite opposition, Eknath stands firm in his belief in equality and devotion, inspiring others to join his cause and defending his principles through his spiritual teachings.
During the Partition of India, Mohini is abducted and raped. Upon returning to her family, she faces rejection from society. In revenge, she becomes a smuggler, dealing in illegal arms. She falls for fellow refugee Satish, and when he's implicated, she confesses and surrenders.
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.
This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.
Ram Joshi, a Brahmin poet, discovers the arts, falls in love, descends into alcoholism, and eventually finds salvation through his poetry.