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In the city of Constantine, the thwarted love affair of two students: Houria, fatherless, from a poor and traditional background, and Noureddine, son of a wealthy family influenced by Western lifestyle. Houria's brothers keep a close eye on her and want to marry her off to a first cousin. The young woman runs away and, when she returns home, Noureddine courageously asks her to marry him. But while Houria's family agrees, this time it is the girl who refuses...
During French colonization, a young Algerian boy is expelled from the French high school where he is able to study thanks to his father's position in the village. For his father, whose dream is to see his son climb the social ladder, this is a disaster, and the young man decides to go to work in the mines. A general strike that is severely repressed makes him aware of the class struggle, and he joins the resistance against discrimination and colonial oppression.
When their father dies, three nomadic sons choose different voices. The first part for the city, the second tries to live as its ancestors develop and the third integrates one of the new agricultural cooperations. "A pastoral society (1,500,000 inhabitants) on the threshold of decisive choices, destructured by the evolution of economic relations which lead to the concentration of herds in the hands of a few, to the support of rangelands and to the movement of impoverishment and proletarianization of the greatest number. The attitudes of the protagonists occur in relation to the economic and political involved in the process of agrarian revolution. The alternative lies only in the free adherence of small breeders to the forms of economic and social reorganization of the Agrarian Revolution and their insertion in the profound movements of social and political change that affect Algerian society." Sid Ali Mazif
The film recounts in three parts by three different directors the Algerian people's struggle for independence after 130 years of French colonization: Ahmed Bedjaoui "Les Fedayines," Rabah Laradji "La Bombe," Sid Ali Mazif "Le Messager."
This film was considered a testing ground for young O.N.C.I.C. directors. Today there is no longer a copy and the negative was accidentally destroyed. The Algerian Cinematheque has a copy of the very beautiful part shot by Abderrahmane Bouguermouh "La Give": A young schoolgirl from Kabylia is tasked by the resistance fighters with transmitting a message which is hidden in a thrush...
The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.
Collectively made Algerian film.
In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
When a feminist filmmaker sets out to document the mysterious and polarizing world of the Men’s Rights Movement, she begins to question her own beliefs. Chronicling Cassie Jaye’s journey exploring an alternate perspective on gender equality, power and privilege.
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.