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The story takes place in an around Lebanon. It concerns Farid, a repentant Islamic fundamentalist and Charles, a French diplomat. Farid is prepared to give the French secret service a list of names of terrorists operating in France on the condition that they liberate a friend of his imprisoned in France. The deal is complicated by the fact that Farid and Charles are irresistably attracted to each other, which inflames great jealously in Charles' wife, Juliette, estranging the couple.
A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the barbed wire she also passes from childhood into adulthood, as brutal as our countries and the events that are to follow.
The film follows Souha Béchara’s return to her village, Deir Mimas, to the Khiam jail, in the very place where she tried to assassinate General Lahd. For Souha, surviving hell is a joyful, thoughtful, and liberating travel diary. The diary of a trip that, for a moment, let one believe in the possible reconciliation of our country.
September 1994, Beirut : the systematic reconstruction of the city is beginning. The civil war, which began in 1975, has been over for two years. Randa Chahal Sabbag, a Lebanese film-maker whose family was politically and military involved in the conflict, gives a very personal view of these seventeen years of war. She uses archives, family videos and 16 mm films made between 1975 and 1994. The film features interviews with her mother in Tripoli, her sister in Paris and her brother in Beirut. She pays tribute to the memory of her father, who died during the war, and returns to the ruins of a city, the reconstruction of which marks the disappearance of a part of her life.
Lebanese director Randa Chahal Sabbag spins this bleak war drama about the brutal absurdity of the urban warfare of Beirut during the 1980s. Opening with the shocking image of kittens being blown apart, the film loosely follows the travails of Bernadette (Nada Ghosn), a naïve country girl sent to the city as a maid for a mansion long since abandoned by the owners. There she meets Therese (Renee Dick), a veteran house cleaner who takes her under her wing. One day, while accompanying her friend to the cemetery, she meets a rakish Arab militiaman, and the two fall in love.
A city emerges in the middle of the desert and dies in its richness. Women are doubly veiled, and freedoms are even more threatened. Sarah was born the day after the oil boom. She is part of the generation that believes it can get anything with the power of money, and that simultaneously sees its every desire thwarted when it conflicts with the strict laws of its country. She is unsettled by the triviality of her life and unsettles others through her beauty, and her will to push everything to its extreme. She fears not the desert, not the wind, nothing. Her thirst lies elsewhere: to leave the desert, which she hates, and in which she is kept against her will. She wanders the empty streets in her limousine, killing time on the phone, provoking strangers. Gradually, tensions arise in this desert, instilling a latent anguish interrupted by bursts of happiness, of ecstatic laughter, and of sensuality, until everything comes to a head.
A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.
More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
In order to be reinstated to the bar and recover custody of her daughter, a hotshot lawyer, now in recovery and on probation, must take on the appeal of a woman wrongfully convicted of murder.