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Directed by Wali Eddine Sameh.
Gaber Effendi is a simple employee at Ezbet Omar al-Alfi's, expelled by the head of the family after Jabir discovers that there is fraud in the accounts of the estate. Gaber meets with Berlanti, the wife of Omar Bey's, noting a great similarity between him and her absent husband in India, Omar. Following the advice of a legal advisor, Omar Bey's family believes that he is still alive and living in India. By chance, Jaber Effendi goes to Omar's house and is seen by the family and gets married, but Omar finds out the truth and tries to exploit the resemblance to seize wealth, but ultimately fails.
Hamam is a poor Arabic language teacher who gets sacked from a girls' elementary school for not being able to control mischievous students. He feels pessimistic about everything in life,but his freind,an employee working for a pasha finds him a job as a private teacher for his only daughter Laila in order to help her pass an exam. Laila treats Hamam like a friend and helps him to appreciate life and enjoy its qualities,and the man soon is drawn to her.
Shehata works as an accountant in a store that sells birds, arrives to him a letter bearing the news of his acceptance to a new job as an accountant in endowment properties, it happens that a dancer claims that she has a child from the son of the endowment overseer and leaves him for him and everyone knows that there is a child called Helmous, and they don’t know him either a mother or father. The daughter of the head of the endowment takes advantage of this event and claims to be the mother of the child from Shehata.
A courier is sent to deposit a cash amount to the bank but he arrives late. He goes to a hotel to spend the night and keeps the money in the hotel safe, but he gets confused with the Prince of Kandahar and who admires him and insists on keeping this confusion to reveal his enemies.
The film is an Egyptian adaptation of a play by Marcel Pagnol, transposed into an Egyptian and Arab context. It follows the story of a shy, naive professor who allows himself to be exploited by an aristocrat or influential figures—depending on the interpretation—in a gambling scheme or a con. As the plot unfolds, the professor undergoes a moral transformation, coming to accept and eventually adopt behaviors that were initially alien to his nature. The narrative explores two central themes: the temptation of corruption and the clash of cultural codes—specifically between Western culture and the Arab/Cairene society depicted in the film.
When a clumsy deadbeat accidentally kills his landlord, he must do everything in his power to hide the body, only to find that the distractions of lust, the death of his beloved brother, and a crew of misfit characters force him on a journey where a fortune awaits him.
The fireworks begin when Madea’s family gathers for her granddaughter’s wedding. As usual, Madea rules the roost, as she and her neighbor, the wacky Mr. Brown, deliver nonstop laughs. Live, love, rejoice...it’s Madea’s Family Reunion!
A man in his mid-20s, still living at home with his mother and stepfather, puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As they become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.