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In the city of Constantine, the thwarted love affair of two students: Houria, fatherless, from a poor and traditional background, and Noureddine, son of a wealthy family influenced by Western lifestyle. Houria's brothers keep a close eye on her and want to marry her off to a first cousin. The young woman runs away and, when she returns home, Noureddine courageously asks her to marry him. But while Houria's family agrees, this time it is the girl who refuses...
During French colonization, a young Algerian boy is expelled from the French high school where he is able to study thanks to his father's position in the village. For his father, whose dream is to see his son climb the social ladder, this is a disaster, and the young man decides to go to work in the mines. A general strike that is severely repressed makes him aware of the class struggle, and he joins the resistance against discrimination and colonial oppression.
Composed of three parts, this montage film addresses all aspects relating to the role of women in Algerian society: their ambitions, the role of the State and the help of organizations that were created during the struggle for female emancipation. .
The film recounts in three parts by three different directors the Algerian people's struggle for independence after 130 years of French colonization: Ahmed Bedjaoui "Les Fedayines," Rabah Laradji "La Bombe," Sid Ali Mazif "Le Messager."
This film was considered a testing ground for young O.N.C.I.C. directors. Today there is no longer a copy and the negative was accidentally destroyed. The Algerian Cinematheque has a copy of the very beautiful part shot by Abderrahmane Bouguermouh "La Give": A young schoolgirl from Kabylia is tasked by the resistance fighters with transmitting a message which is hidden in a thrush...
The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.
Collectively made Algerian film.
The Dance of the Wind (Arabic: رقصة الريح) is an Algerian-Tunisian film and the fourth feature film by Taïeb Louhichi. Shot digitally, it differs from his previous films in its emphasis on meditation rather than vast outdoor landscapes. While scouting locations for his film in southern Tunisia, director Youssef meets the gaze of a stunning Berber woman who orders him not to film her. This marks the beginning of a wandering journey that leads him to his downfall in the vast desert, prey by day to mirages, by night to his anxieties, childhood memories, his first cinematic experiences, and the fear of seeing his film fail because he has let his mind wander. His car is his only anchor and his means of resistance, thanks to the contents of its trunk where he keeps scripts, photos, and means of subsistence.
Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.
A documentary about algerian immigration in France