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This melancholy piece about the metamorphoses of love and the eternal dissatisfaction of human beings with what they have was inspired by the lyrics of the French song "Plaisir d'amour."
Czechoslovakian cartoon version of Little Red Riding Hood. Here, Red Riding Hood's family finds a way to take care of the wolf.
The first animated picture made by Jiří Trnka for adults. It is a comic story of a legendary chimney-cleaner who, with the help of a spring from an old lounge-chair, became the terror of the Prague-occupying SS troops in World War II.
A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.
A fanciful apocryphal tale about the famous Greek scholar, who is determined not to have his mind taken off educating young Alexander the Great, until Cupid makes him succumb to the temptations of a light-hearted young woman.
Film based on the story by the French writer Gérard de Nerval. A terrifying story that takes us to Paris in the time of the Three Musketeers. The magician Conin enchants evil that afterwards destroys him and a shy love-lorn young man named Eustach.
This animated precursor to music videos was made on commission for the American company Rembrandt Films. It illustrates an American folk song of the Old West.
This anti-war piece presents an exaggerated, satirical overview of the evolution of weapons from a prehistoric club to the atomic bomb.
This original adaptation of Oscar Wilde's sad, socially conscious fairy tale, The Happy Prince, hinges on the conflict between fact and dream, reality and poetry. The contrast is reinforced by the film's visuals, confronting modern art with Gustave Doré's old engravings.
A picture based on an old folk song tells us a horrifying story about a soldier returning home after twenty years. His parents do not recognize him, they rob and kill him.