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Zeynep gets married to a man whom her family does not approve and goes to the U.S.A to live there. She gives a birth to a baby boy but when her marriage does not go well she decides to return to Turkey as devastated. Fatih, on the other hand, comes from a rich family and goes to the U.S.A. to study. But, he does not find what he has expected and decides to go back to Turkey. These two people from different backgrounds come across to each other at the same flight to Turkey. They make a marriage agreement on the flight. Fatih wants Zeynep to pretend his wife because his family forces him to get married to Irem. He wants his freedom back. Zeynep, on the other hand, does not want to ask help from her family so, she accepts Fatih’s offer.
Kuzey Yıldızı: İlk Aşk (2019) is a Turkish romantic comedy set in the Black Sea region. Kuzey abandoned his childhood sweetheart Yıldız twenty years ago to marry another woman in Istanbul. When his wife leaves him broke with three teenage daughters, he's forced to return home — right next door to a furious Yıldız. His city-raised girls struggling with rural life adds warmth and comedy as Kuzey fights to win back everything he lost.
Betus the fairy, meets human-being Sadik whose wife passed away, and falls in love with him. They try to build a happy family with Sadik's 2 sweet children but Betus's mother Dudu never let them to be happy.
While delivering a deceased man's body for burial, a naive village courier encounters a host of eccentrics and implicates himself in dark crimes.
Salim decides to take the coffin of a deserted body to his hometown. But this journey turns into an adventure where Salih and his travel buddy Nihal fight against serial killers and bad guys. When Nihal's mom is taken hostage for revenge, things take an unplanned turn. Now they're wanted as serial killers and have to wear disguise to not get caught.
Adam and Havva have grown up worlds apart. He is the son of an Irish Catholic pastor, she the daughter of a Muslim family that adheres strongly to its traditions. And yet, though their lives seem to be poles apart, fate brings them together, both working as research assistants at a top university.
This fast paced farce begins with an apparently innocuous request from a village elder to take a recently deceased man to his home village for proper burial. Salim, the simple village man on which this request is bestowed, is afraid of death and by extension dead people, but he reluctantly agrees to take the dead man in his truck in order to incur good-will.