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During the Paris rebellion, young Louis XIV must be hidden from danger and is secretly replaced at court by a look-alike. Entrusted to the musketeer-poet Cyrano de Bergerac, Louis is sheltered within Madeleine Béjart’s traveling theater troupe, where the actor and aspiring playwright Molière has just joined – unaware their newest member is the future king of France. As Cyrano struggles to handle the arrogant and clumsy young king, he begins writing a bold play for the troupe. Molière, bursting with ideas, transforms the work with wit and heart, awakening his genius for comedy and deepening his secret feelings for Madeleine, while young Louis discovers the joy of theater and the power of friendship. But back in Paris, intrigue is brewing – can the young king return in time before the masquerade is revealed and embrace his true royal destiny?
Simone, a cop with conservative ideas, infiltrates a feminist collective. However, her cover is thin. To divert attention and get out of this bad situation, Simone finds nothing better than to randomly accuse a man of having raped her.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.
As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?
Paul has no specific life goal, and Mathilde, who provides for their household, despairs that he can find one. If he continues like this, she may well drop him. So Paul thinks he's got to invent something.
It all began when camcorders replaced cameras. Making TV programs then became within everyone's reach. Jean-Lou, Yasmina, Victor, Clara, Adonis, and the others didn't only want to create their own television channel, they above all wanted to make a revolution. Thus Télé Gaucho was born, as anarchic and provocative as the main channels were conformist and reactionary. Five years of mayhem, brutal pirate TV demonstrations, drunken parties, and thwarted love.. And that was my idyllic interlude.
Mister Sim is of no concern whatsoever. At least, this is what he thinks about himself. His wife has left him, his job has left him, and when goes to see his father in a remote part of Italy, not even Dad has the time to have lunch with him. He then receives an unexpected offer: to travel through France selling toothbrushes that will "revolutionize oral-dental hygiene." He takes advantage of the job to catch up with people from his childhood, to meet the first big love of his life, along with his daughter, and to make amazing discoveries and, in so doing, rediscover himself.
Marcia, a classy young Parisian singer, is recording an album with her idol Daredjane, a '70s rock icon. When Daredjane dies accidentally, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...