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Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
Five children are isolated with their father on a lonely beach after the death of their mother. As the days go by, the children start torturing their father.
Veneno, a rebellious young drifter, frequents roadside diners where he sleeps with truck drivers. Urgently needing a ride, he meets Muñeco, a hard-edged driver who keeps to himself. He convinces Muñeco to take him deep into the hyper-masculine world of long-haul trucking across the north of Mexico. As they travel together and an unexpected intimacy builds between them, shadows from Veneno’s past resurface, putting both their lives at risk.
A woman is said to have embalmed her daughter, who died from a scorpion sting, and displayed her in a store like a mannequin. This short film revolves around a bridal shop mannequin that comes to life, and its story is inspired by a Chihuahua legend from the 1930s.
Stories of encounters and separations in a dividing frontier wall that impedes families, friends and lovers to touch and kiss each other. In some cases, the wall does not obstruct human contact, while in some other cases it presents itself as a metaphor of division in human relationships.
With the help of her AI dog, a sixteen year-old girl must get her sick mother to another planet where a better life awaits.
In this haunting adaptation of Mariana Enríquez's story, Crazy Jane's curiosity draws her to Zedd, a mysterious young man obsessed with capturing the raw essence of humanity. Their investigation leads them to Marcela, a young woman plagued by a malevolent supernatural force, challenging their perceptions of reality and exposing unsettling truths lurking beneath the surface.
Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.