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When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.
In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.
Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.
At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.
The story of a young couple, from beginning to end, from the euphoria of falling in love until the final days blurred and dark, is realized with an analytical eye and investigative zeal. How and why two people fall in love? What now? How quickly will they get into a relationship? When a relationship ends, and when should it end? Peter and Sofia, with its simple story of love, they become reflections of all those who, at twenty-five years have been in love.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Verano del '98 is an Argentine telenovela, produced by Cris Morena. It was broadcast on Telefe television in the period January 12, 1998-November 17, 2000. The telenovela had three seasons, and changed its cast many times. Cris Morena also composed songs for Verano del '98 soundtrack.
The epic tale of a proud and passionate family, secret loves, and bloody revolution. The Trueba family's passions, struggles, and secrets span a century of violent social change, culminating in a crisis that hurls the proud, tyrannical patriarch and his beloved granddaughter towards opposite sides of the fence.
Graduados (English: The Graduates) concerns a group of people who graduated from high school in 1989 and reunite twenty years later. The main character, Andrés Goddzer (Daniel Hendler), discovers that María Laura Falsini (Nancy Dupláa) was pregnant in 1989 and married Pablo Catáneo (Luciano Cáceres), who thought that he was the child's father. The resulting parental dispute, the love triangle of the main characters and 1980s nostalgia are frequent plot elements, and story arcs related to school bullying and LGBT rights are also featured. The frequent flashbacks of the characters to their high-school days use the same actors, playing teenagers.