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In this chilling and groundbreaking documentary, former Indonesian death squad leaders reenact their real-life mass killings in the style of various film genres. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia's 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.
Twenty-five years after environmental collapse left the Earth uninhabitable, Mother, Father and Son are confined to their palatial bunker, where they struggle to maintain hope and a sense of normalcy by clinging to the rituals of daily life—until the arrival of a stranger, Girl, upends their happy routine. As tensions rise, their seemingly idyllic existence starts to crumble.
An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.
In minimalist villas that already resemble film sets, we meet a community of aging citizens. With the help of technology, they plan to have themselves frozen after death until they can be resurrected. A disturbing visit to an environment where the question arises: Is it still self-deception if everyone else is on board with the idea?
In 1969, bankrupt pizzeria owner Richard Davis invented the modern-day bulletproof vest. To prove that it worked, he shot himself — point-blank — 192 times.
Filmed by Indonesian workers during their working hours on rubber and palm oil plantations, this film exposes the devastating role of militarism and repression in building the “global economy.” Through chilling first hand accounts, hilarious improvised interventions, collective debate, and archival footage, the film explores the relationships between trade, Third World debt, and international institutions like the IMF and World Bank.
Joshua Oppenheimer reimagines a sixty-second stock market update as maniacal monologue by a mumbling madman giving a bizarre play-by-play of floor traders and urban pedestrians as the trading day comes to an end. Created while in the midst of production on the feature-length GLOBALIZATION TAPES, this brief film is Oppenheimer's most concentrated piece of socio-political commentary: a quick, colorful political cartoon of capitalism plucked out-of-context and set to a soundtrack that is both comic and somewhat sinister. The upbeat musical accompaniment only enhances the empty celebration of meaningless activity.
A group of flower arrangers practice their art in this second silent early short from Joshua Oppenheimer.
Hugh is an elderly man keeping himself active in retirement. His hobbies include teaching children to play the piano, carpentry and driving into town to preach sermons on the evils of homosexuality.
Animals are killed and processed for fast food. A man is tarred and feathered. A collage of ordinary horrors on the way to the millennium.