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This is a rough, fragmented drama about a couple whose 13-year-old son committed suicide without an apparent reason. The film portrays the day after the funeral and the helpless, abandoned mourning of the parents.
1894. The mortal remains of Lajos Kossuth are brought home from abroad, the railways are lined with people with their hats in hand, and among them stands the teenager Imre Tányér. 1910. The grown-up Imre undertakes the task to solve the question unsolved since 1848-49, i.e. the transformation of peasant life. He fights for the rights of his class, for justice, for human dignity in a society distorted, backward and built on inequality.
The subject of a Roma settlement gains an almost metaphysical dimension as we watch a long, slow shot of a silent 18-year-old Roma mother.
Józsi drives a taxi all day long. He often telephones Éva, who, on the other hand, stays home all day long, having nothing else to do but to be beautiful and wait for Józsi.
The relationship of István Kozár and his wife has reached the point where neither is prepared to hear even a single word from the other. The woman travels to the countryside because she needs a little time by herself. The next morning the police inform the man that his wife has died. István, who has fantasized on more than one occasion about strangling the woman, soon finds himself being investigated by detectives who expect a confession from him.
Pál Utrius is twenty three years old and in love with his sister.
The film takes place the Budapest Amusement Park in 1919, just before and during the proletarian dictatorship. After the outbreak of the proletarian dictatorship, both the former employee who returns from Russian captivity as a communist and the domestic philosopher spreading Marxists ideology regard the nationalisation of the Fun Fair vitally urgent. In this, the daughter of the owner of Orpheum Blau, Ilona, assisting most enthusiastically.
This film tells the story of a few uneventful days in the life of six pals. Lali, a great fan of America, owns a sandwich stand on the side of the road, called The Glass Tiger. Gaben pinches cars; Fox is a petty swindler; Sanyi a half-wit homeless; Coco can't shut up about getting some dough and going to America; Slimmy keeps playing the saxophone, despite the others' frayed nerves. Gaben talks Lali into buying an old Chevrolet Impala, the real American dream. After the long escapade of getting the car, Lali doesn't even get the chance to try the Chevvy out, because a truck completely demolishes it. Fox in the meantime is looking excitedly for the "Wreck", what he has been trying to sell for big money. But Lali has sold what he thought to be scrap, not good for anything. Fox is threatened by some tough guys to bring it back or pay up. He has to get money at all costs...
The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.