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Sang-su (Yoon Je-moon) is an ordinary real estate agent with a wife and son. He also has a pretty younger girlfriend, but still brags to friends about his latest one-night stands with other women. Money and sex mean everything to him, but just as he fulfills his dream of driving a Mercedes-Benz, things go awry.
There are 200 miserably impoverished people working in the Dongseong Metalworks Factory. Ju Wan-ik is introduced to the forging team as a new member of the team and they all go drinking together to welcome him.
After the Gwangju Democratization Movement is terminated by brute force, Jong Soo runs from the authorities and goes to Dongducheon in search of Tae Ho, an older neighbor from his hometown. He is a student at Jeonnam University and a night school teacher who is on the run because of his involvement in the Gwangju Movement.
There are four people who want to become an actor. Their names are Hun, Eun, Jun, and Kyung. After watching the play [QUARTET]. They decide to participate in an acting workshop. They are trained by Mirae, the renowned actor of the [QUARTET]. Through the workshop sessions, Mirae is able to look into the inner lives of the four youths.
Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.
Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?
Winter 1988 - Middle school student Jin-Woo lives with his unemployed alcoholic father and his mother who frequently attempts to run away from home due to her unhappiness with her husband. Jin-Woo's older sister does whatever she wants and fumes at her mother for the life she lives. Jin-Woo feels sorry for his mom who has to support the family alone and starts to work as a newspaper delivery boy. At the newspaper distribution plant, he meets another boy named Chang-Geun who works hard to save money. Jin-Woo learns from Chang-Geun things like how to smoke, drink alcohol and how to deal with girls. Jin-Woo learns about life through Chang-Geun.
KIM serves as a professor of film studies at a rural college, away from his family. Having kept the memories of birds from his childhood, he intends to make a film based on the images of birds that appear in his dreams. In his position as educator, KIM finds himself torn between artistic ideals of the film and the realities of life which his student's must encounter daily. It is in this setting that he struggles to discover the nature of his identity. A middle school science teacher, Young-hee, although a long-time lover of KIM's is not confident in their future relationship. She asks KIM to accompany her to her childhood hometown. During the trip, the two begin to realize that each belongs to different realities from the other. Young-hee begins to desire a relationship of a different sort with him. However, KIM's ambition is to redeem his own artistic value blurred between film fantasy and reality.
A WWII veteran escapes his care home in Northern Ireland and embarks on an arduous but inspirational journey to France to attend the 75th anniversary of the D-Day landings, finding the courage to face the ghosts of his past.