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Dedicato al mare Egeo is a forgotten and bizarre co-production produced between Italy and Japan from 1979, starring the famous Italian porn star Illona Staller (Cicciolina) and directed by the famous Japanese pinter, printmaker and novelist Masuo Ikeda (1934–1997) from his own script based on his novel “Ege-kai ni sasagu”, for which he won the Akutagawa Prize, the most prestigious literary award in Japan. Ikeda’s vigorous artistic activity even included screenplay writing and film directing. With this movie, Masuo Ikeda has undoubtedly left his mark on the ’70s Italian skin cinema.
A story about a cyborg who is programmed to kill a scientist who holds the fate of mankind in his hands.
A woman and her brother fly to New Guinea to look for a lost expedition, led by her husband, which has vanished in the great jungle.
Puglia, southern Italy, around 1400. A convent is invaded by the Tarantula cult, whose fanatical and crazed members desecrate the sacred place by committing obscene and bloody acts.
Hercules, a semi-divine being, squares off against King Minos, who is attempting to use science to gain power and take over the world. With the help of a benevolent sorceress, Circe, Hercules tries to save his beloved Cassiopeia from being sacrificed by Minos, and struggles against laser-breathing creatures and an evil sorceress.
After their prison ship sinks in the Caribbean, a group of prisoners and a doctor wash ashore on a seemingly deserted island. They soon discover a strange couple, who invite them to stay at their house. While the prisoners plan an escape, the doctor does some investigating, and soon finds out just what the pair are really doing, and why the prisoners keep disappearing mysteriously.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide structure. Comfort or passion? Carlo can't really decide until it's too late.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.