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The documentary delves into the intimate, labor, and political life of diverse characters to testify to the problems of inequality, exploitation, and instability in the work relations of some labor sectors.
Documentary on the electoral system in Uruguay. It focused on the upcoming federal elections, criticizing both of the country's political parties.
Documentary short film by Mario Handler about the city of Prague as part of an internship to study film in Europe.
Rare images of real life stories in the so-called "asentamientos" in the poor underbelly of Uruguay's capital, Montevideo, and in its youth jails. The difficulties of finding a job and scraping together some money, the temptations of crime and its harsh consequences, the lack of culture and knowledge of the basics of life, are all intertwined in parallel lives.
After a long exile in Venezuela, filmmaker Mario Handler returns to his country, Uruguay. There, the dictatorship is still present in the media, public opinion, and in the memory of people. The director feels he owes something to the comrades, those who could not leave the country. This debt translates into poetry, black humor and conscience, in a sharp and accurate atmosphere of this dark time of Uruguay.
Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.
Documentary made from the record of five manifestations of Uruguayan children's folklore: «El rango», «La rayuela», «Andelito de oro», «La farolera» and «San Severín del monte» / «Los oficios».
After several close calls with death squads, Mario Handler fled Uruguay in 1973 and eventually settled in Venezuela where he lived and continued to make films before returning to Uruguay in recent years. The first film he completed in exile, Dos puertos y un cerro is an essay film about the imbalances of trade. A narrator dispassionately recounts in voice-over a brief summation of Venezuela's situation as a hub port in the establishment of the colonial system in the sixteenth-century.
The "caminante" refers to a hobo who roams the countryside, a nomenclature preferred by Carlos, who once traveled all over Uruguay before becoming a homeless vagabond, or "bichiome", in the city of Montevideo. The film presents a portrait of society through the life of one marginalized individual.
Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.