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Código Postal is a Mexican telenovela produced by Televisa and aired in Mexico on the network canal de las estrellas. It debuted on May 22, 2006 and finished on February 23, 2007 with hopes of duplicating the popularity of Mexican telenovela Rebelde which ended on June 2, 2006. Código Postal was replaced with Lola...Érase una vez. The serial takes place in Acapulco, a popular tourist destination in the state of Guerrero, Mexico. The series is set within an exclusive gated community where the bulk of the cast resides. Like many Mexican telenovelas the cast comprises young, attractive actors, and many of the plotlines revolve around suspense, heavy struggles, love and romance.
Papá a toda madre is a Mexican telenovela produced by Eduardo Meza for Televisa and originally broadcast on Las Estrellas from October 22, 2017, to February 11, 2018. The story follows four very different men whose lives change after they become responsible for raising children. As they face the challenges of fatherhood, they develop unexpected friendships while balancing family, romance, and personal growth.
Los Exitosos Perez is the adaptation for Mexico of the Argentine telenovela Los Exitosos Pells. It's a co-production of Endemol and Telefe. Mexican producer José Alberto Castro acts as it executive producer. With a mixed cast of mostly Mexican and Argentinian actors, and a few from other nationalities, it was filmed on location in Argentina, in exactly the same sets used in the original Argentinian counterpart. It premiered in Mexico on 31 August 2009 on the Televisa network.
A handsome man, unjustly accused, transforms into a woman named Eva to win over Helena—the love of his life—and unmask the true culprits behind a financial fraud and the theft of Helena's project.
The Poor, Rich Family is a story of love, romance, twists of fate, and countless amusing situations involving two families with nothing in common—yet who are now forced to live under the same roof. On one side are the millionaire Ruizpalacios family; on the other, the Mendonças, a classic working-class family.
Palabra De Mujer is a telenovela remake of El Amor Tiene Cara De Mujer was made by Televisa, starring Edith González, Yadhira Carrillo, Ludwika Paleta, and Lidia Ávila. The telenovela, a production of José Alberto Castro, premiered October 22, 2007 and ended on May 9, 2008 in El Canal de las Estrellas.
Pueblo chico, infierno grande is a Mexican historical telenovela produced by José Alberto Castro for Televisa and originally broadcast on Canal de las Estrellas from January 6 to August 1, 1997. Created by Javier Ruán and adapted by Javier Ruán, Mario Hernández, and Sergio Schmucler, the telenovela is based on a true story about Leonarda Ruán. It stars Verónica Castro, Juan Soler, and Guillermo Capetillo. The story is set in the late 19th century and follows Leonarda Ruán, a wealthy widow from the town of Nahuatzen who falls in love with Genaro Onchi, a young man from a humble background. Their relationship faces strong opposition from society, family conflicts, jealousy, and the return of people from Leonarda's past who try to separate them. As secrets and rivalries emerge, Leonarda and Genaro fight to protect their love against the judgment and traditions of their small town.
DKDA: Sueños de juventud is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from November 22, 1999, to April 28, 2000. Created by Susan Crowley and adapted by Sergio Schmucler and Carmen Sepúlveda, the telenovela stars Jan, Litzy (later replaced by Andrea Torre), María Sorté, Otto Sirgo, and Eugenia Cauduro. The series was conceived around a fictional pop group and blends music with teen drama. The story follows Rodrigo Arias and Laura Martínez, two teenagers brought together by the successful pop group DKDA. As they pursue their musical dreams, they face romance, rivalries, family conflicts, jealousy, and personal challenges. Alongside their friends and bandmates, they learn about love, friendship, loyalty, and the responsibilities that come with fame while navigating the ups and downs of youth.
Four women end up working in the same place for different circumstances and although at the beginning they are very different from each other, because they have different ways of thinking and seeing life, they come to realize that they have something in common and that they share the experience of having been victims of digital lynching in one way or another.
Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.