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To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.
Two adults play babies and wild antics ensue.
Inviting the ex-wife to a family reunion when the none-too-secure new wife will be there hardly seems to be a recipe for success, and true to form, bodies have begun to stack up by the end of this cinematic update of a classic Agatha Christie tale. Luckily for the extended clan gathered at a sumptuous waterfront estate in Northern France, Inspector Martin Bataille is on hand to find out not only "who done it" but why.
Francesca and her husband, Martin, are dreamers. They live a carefree existence oblivious to the increasingly hostile world closing in on them. Their huge Parisian apartment is a refuge for an array of colorful characters in need of a roof over their heads and in particular for Adrien, a filmmaker who turns their home into his office, studio and love-nest. When their mean landlady tries to evict them all and Martin succumbs to the charms of a beautiful vamp, Francesca comes up with some original and entertaining solutions in the defense of her and everybody else's happiness.
The Beresfords investigate mysterious deaths at an old people's home.
In a small Parisian building, a diverse group of people crosses paths, likes and observes each other, without always seeing each other.
Wednesday is the day when children are not in school and stay at home. It is also the day when the parents are not there. In Nantes, in the spring, twenty or so carefree and boisterous kids between the ages of three and eleven take advantage of this day to make their parents go crazy. Emma, 9 years old and naturally romantic, decides that Roland, the little boy she met in the street, is unhappy and persuades her friends to adopt him. Victoria spends the day with Martin Socoa, an often distant father whom she learns to love. There are also Muriel, Bruno, Colette and Henri who take off and create panic in their parents' home, while Marylin lives the founding drama of her childhood with a mother of an unreal sweetness. Throughout these little stories, we realize that the world of children has its own logic, totally different from that of adults.
Prudence and Bélisaire Beresford have decided to take things easy. But when a rich Russian heiress disappears, Prudence can't resist and Bélisaire is forced onto the adventure. Their investigation will put them on the trail of a mysterious scientist who holds the secret to eternal youth...
At a wedding where the husband runs away, everyone has his own story to tell about the trivial misfortune of a person in love with someone that slips away. The guests paint a full picture of clumsiness, lies, and bad luck, that makes impossible, whatever the age, all attempts of seduction... or close enough !
Loosely based on "4.50 from Paddington" by Agatha Christie.