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The private detective Zimin receives an order for video observation of an apartment. Having safely mounted the bugs and cameras, he begins the observation. In the field of his surveillance cameras are two young women the pharmacist Irina and a certain blonde woman. Gradually he finds out more and more about their problems. At some stage, Zimin begins to understand that the life of the people he observes reflects in a crooked mirror his own life that had hitherto appeared cloudless.
Blending dramatic situations with a documentary-influenced visual style, Happy Birthday looks in at a typical day in a Russian maternity hospital. The patients range from a middle aged woman pleased if surprised by her current pregnancy to a Muslim woman whose marriage to a Russian has blighted her relationship with her family. No matter what their situations, the women draw strength and support from each other as they share their common experience.
In the center of the story are middle—aged women who live far from the capital and fight every day for a decent existence , one of them was lucky — despite everything, she allowed herself love.
Vera and Andrew can be envied. Money work, a house in a prestigious suburban village, a good foreign car. The young spouses got even a servant: on the garden, working hard, Uzbek builders work, and on the farm - the executive housekeeper Aunt Masha. It remains only to find a reliable nurse who will look after the restless daughter Aley.
Eight-year-old Lyubochka is waiting for her father, the captain, but no one believes she has one.
A father takes care of his only teenage son with unusual intensity and passion, which results in the son feeling suffocated. Trying to free himself from home, Andrej finds escape among his teenage friends and, above all, with a new girl.
In a small town everything is visible. However much you try to hide something, some disturbing signals will reach the family sooner or later. And then you have to make a choice: start a new life in the same place with your new “half” or confess to the old half and return to the usual flow of life. The film’s heroes stand before such a choice.
A young Tajik girl, Maija (Nilufar Faizieva), flies to Russia following her fiancé, Khamid(Makhsum Abdullaev), where he works as a guest worker and lives in the slums with other workers like him. He promises to marry her, but eventually leaves her with barely known people and returns back toTajikistan for a marriage arranged by his parents.
During the day, Lera studies humankind and its needs through opinion polls, which are an educational practice at the institute; at night, she dances under the pseudonym Gerda in a club to support herself and her mother. The people she meets are as unfortunate as her family. Her father has recently left for another woman, but he constantly returns home, unable to make his choice and thereby making the life of close people intolerable. The mother painfully endures the breakup and constantly sleeps, ignoring reality. Lera doesn’t know how to carry on, where to go and what to live for, and — most importantly — how to improve life. The adult world, invariable unfortunate, which Lera observes day and night, seems hopeless.