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Junko and Kohei were each other's first relationship, and got married. A white apartment, a white blouse, and white underwear; their relationship was pure. But then Junko put on conspicuous lingerie and a black dress, and went to attend a class reunion. Suspicious, Kohei followed behind her until she disappeared into a hotel with Okada, a former junior high school classmate. Kohei had learned from his mother to obsessively despise `filth,' and vowed to make Junko utterly filthy. So, he presented his own wife to a gang rape club...
Yoko is an ordinary housewife living in an ordinary apartment block. She has no real complaints as she goes about her tedious days, although her husband, Shinichi, is rather predictable in bed. They have one son, Junichi, and Yoko feels at a loss regarding his recently-acquired adolescent interest in sex and his secret stash of erotic magazines. Junichi is about to write his junior high school entrance exams, so he’s heading off to cram school camp for New Year’s. Before going, he makes a surprising suggestion, “Why don’t you guys go somewhere for New Year’s?” Yoko and Shinichi are suddenly faced with the prospect of New Year’s apart from their son. How will this couple, who’ve already lived half of their lives, change their behavior when it’s just the two of them?
Chiho has prohibited her husband, Takahashi, from smoking while she is trying to become pregnant. Takahashi hasn’t told his wife he was laid off, and has a paid sexual encounter with a high-school student, attracted by the pungent odor of her cigarettes, Peace Regulars.
Oda is a cowardly and boring man, his only redeeming feature being his diligence. He continues to live with his wife, Ayane, but they can't seem to produce children and are troubled as to whether their relationship will survive. One evening Oda returns home to find a pair of blue toy handcuffs hanging on the doorknocker. Using them, Oda humiliates Ayane. Although bewildered at first, Ayane begins to respond, and Oda becomes increasing excited as he sexually assaults her. In truth, the blue handcuffs were Ayane's contrivance. There was a time in the past when she used to reach climax...
Only a fool loves their body more than their soul! Masayuki and Kyoko's bodies had both started to age to the point where they no longer experienced sexual passion. They are a couple that shares the same bed while finding separate pleasures with their own sex toys. Masayuki was always reminded that his true understanding of love came from his high school ethics teacher and that teacher's wife. The incident occurred when Masayuki was only 17. When he became alone with her he impulsively craved her body, only to notice that on the other side of the sliding paper screen...
Yumeka (Kanon Nawata) whiles away her time making art in a studio left to her by her grandmother, though it appears she’s not attached to the art and may not find real value in it. She sleeps with men easily but seems empty of emotion in general. Even more in a shell is her university friend Tomoko (En Nakagami), a clean freak who cannot get involved with men. Yumeka suggests Tomoko have a tryst with their friend Takaya, but Tomoko is naturally less than interested. She does, however, take up Yumeka’s suggestion to take a job at a softcore porn movie theater and this sets of a chain of events the film follows. There she meets Kyoichi (Ryusuke Fujiwara), a young man who prostitutes himself. The thoroughly opposite Tomoko is intrigued.
Yo Kitayama, Kentaro Eda, and Kentaro’s older brother join Sekine Shogo, Atsushi Yukihiro, Tetsuo Baba, and Shione Kobayashi in an attempt to fly once again an airplane that had previously failed to take off. Carrying each of their hopes and feelings with it, will the propeller finally turn?
Japanese schoolboy is saved from an attempted suicide by his teacher only to be raped by that teacher before starting a menage a tois which includes one of the teacher's girl students.
Kudo Kazuo is a man diagnosed with psychataxia. As he cannot work and he only goes out for his follow-ups, Kazuo begins running every day as part of his psychiatric treatment and changes gradually thanks to the people he meets.
Chiaki Saito + Sayoko Nakajima in Impure Heterosexual Friendship, 1988.