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Bliss is a Canadian produced, half hour dramatic television series, produced by Montreal-based Galafilm and Toronto-based Back Alley Films, an anthology of women's erotica. The series ran from 2002 to 2004. The format of the show—short, sensual vignettes adapted for television—aired on Oxygen in the United States and Showcase, TMN and Movie Central in Canada. The series is distributed by Oasis International in Toronto.
When three estranged sisters reunite to care for their dying mother, old conflicts and secrets return to the surface.
A criminal defence lawyer, Sam, (Pascale Bussières, Ma Vie en cinémascope, When Night is Falling), finds herself kidnapped and abandoned on a remote island along with former client Paul (François Arnaud, Heated Rivalry, Fucktoys, The Borgias), who she previously cleared of sexual assault charges. As they make their way through the unrelenting Canadian wilderness, Paul’s behaviour forces Sam to question the man she once defended. As doubt gives way to fear, she finds herself facing a choice no lawyer should ever have to make.
A woman finds out she's pregnant and returns home when the expected father wants nothing to do with her.
As part of a racist government policy now known as the Sixties Scoop, Bezhig Little Bird is removed from her home in Long Pine Reserve in Saskatchewan and adopted into a Montréal Jewish family at the age of five, becoming Esther Rosenblum. Now in her 20s, Bezhig longs for the family she lost and is willing to sacrifice everything to find them.
A horror-comedy series that adapts Blackfoot traditional tales and urban legends for the screen. Grizzled Elder Uncle Randalf, who straddles the living and spirit worlds, introduces each episode with dark humor and a love for storytelling.
In the near future, technology firm Red-Eye is on the verge of developing a revolutionary contact lens that records human sight to replicate memories. When the company’s lead researcher is murdered, Detective Thomas Elliot, and researcher Margo Elson are drawn into searching deeper to apprehend an elusive digital shapeshifter. Soon, both are threatened by their past as they seek to uncover what this dangerous artificial intelligence is trying to consume.
In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.