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A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.
David Tennant stars in a film of the Royal Shakespeare Company's award-winning production of Shakespeare's great play. Director Gregory Doran's modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.
From the stage of the Royal Shakespeare Theatre, David Tennant, Catherine Tate and guests mark the life of William Shakespeare on the 400th anniversary of the playwright's death.
Film version of the Royal Shakespeare Company's 2012 production of Shakespeare's fast-moving thriller. A vivid story about a struggle for democracy, Julius Caesar is also a love story between two men united by an explosive act of political violence. The setting is a modern African state in which the tyrant Caesar is about to seize power. Cassius persuades Brutus to join the conspirators plotting an assassination. Featuring a distinguished cast of black actors, the film is shot on location and in the RSC's theatre at Stratford-upon-Avon
On a distant island a man waits. Robbed of his position, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm he wrecks the ship and washes his enemies up on the shore. When they wake they find themselves lost on a fantastical island where nothing is as it seems.
King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.
Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy, their innocence is tested and exposed to the savage corrupting influence of war with tragic consequences.
Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.
Henry IV is dead and Hal is King. With England in a state of unrest, he must leave his rebellious youth behind, striving to gain the respect of his nobility and people. Laying claim to parts of France and following an insult from the French Dauphin, Henry gathers his troops and prepares for a war that he hopes will unite his country. Gregory Doran continues his exploration of Shakespeare's History Plays with Henry V performed in the 600th anniversary year of the Battle of Agincourt. Following his performance as Hal in Henry IV Parts I & II Alex Hassell returns as Henry V.
Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.