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Disappointed after seeing his homeland, Pasai, destroyed by the Portuguese, Fadhilah Khan, later known as Fatahillah or Fala Tehan, completes his education in the Holy Land, then joins Sultan Trenggono who rules the Sultanate of Demak. He gains a respectable position as a cleric, then marries the sister of the Emperor, Ratu Pembayun, and Ratu Ayu, the widow of Pati Unus, who died in the battle against the Portuguese in Malacca. The Portuguese want to establish a fort at Sunda Kelapa. But the Sultanate of Demak is determined to wage a war against the Portuguese. Fatahillah is elected as the commanding officer, and he conquers Sunda Kelapa, and changes its name to Jayakarta, which later became Jakarta.
Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.
The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.
It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.
Since childhood, Nanin’s parents taught her to be a pious woman and show devotion to her husband. But Nanin has difficulties in expressing it, although her marriage with Hendrawan has been blessed with two children. As a husband, Hendrawan neglects his wife’s feelings. Hendrawan, who lives in Jakarta, starts to cheat with another woman, Eva. Eva even tells Nanin, in Bandung, about her marriage plan with Hendrawan. When Nanin’s inner turmoil reaches its peak, she meets Salman, a student of ITB (Institute of Technology, Bandung). Nanin and Salman share similar views towards life, which make them really close. Hendrawan finds out about this relationship and he is jealous. At the same time, Nanin files for divorce. Hendrawan’s mother tries to prevent the separation while her husband blames Nanin for not being able to take care of him. Nanin doesn’t care anymore. After Salman gets his engineering degree, their friendship gets closer and divorce is inevitable.
While chasing his dreams in Cairo, Azzam faces tough choices between love, family, and survival as heartbreak and setbacks threaten to break his spirit.
Khairul Azzam, an Indonesian student in Egypt, has to support his family in his home country while focusing on his education. He tries to seek refuge and strength in God to help him through it all.
Dono, Kasino and Indro is a student boarding house parent Nia, the beautiful girl. Dono and his two friends managed to make the robot to be commercialized. They also met with Chintami top singers. This singer together they hold a charity show for the home repair Ayu and orphaned nearly collapsed. When the show is almost underway, Chintami not appeared since detained managers who do not agree with the plan of the show. With witty style, Dono managed to bring Chintami to the venue. Chintami managers chase up on stage and make a show of their own.
The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.