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A documentary in opposition to the government of Silvio Berlusconi.
For personal and humanitarian reasons, Edoardo, a Ligurian sea captain, agrees to run a shipment of arms to Bosnian rebels for a shady Russian in Toulon who calls himself Riffaud. Edoardo's lover Clara wants him to quit the sea and Riffaud's wife warns Edoardo not to trust her husband, but Edoardo takes the job anyway. Sailing up the Adriatic, the crew threatens mutiny when they learn they must dock in a war zone. Once in port, little goes as Riffaud promised, and Edoardo must travel with a translator to the rebels' mountain stronghold to get payment for the crew. The war is all around them as Clara waits at home and the translator begs passage to Italy.
Ilaria Alpi, a young, Italian war-corespondent, was on a dangerous mission in Somalia. While she covered the civil war, she also discovered a big and secret international enviromentscandale. Together with her cameraman she was killed in the streets of Mogadishus March, 1994. The film is based on a true story.
For John Cuttin it all started with the first sip of the wine of her life. A "Marzemino", a typical wine of the province of Trento, quoted by Lorenzo Da Ponte in his libretto for "Don Giovanni" by Mozart. The instant he tasted the blood-red drop of nectar John felt a sort of pleasant and mysterious explosion of the senses, and from that moment on, his nature is transformed. In just three years, from shy bank clerk and faithful husband became director, tombeur de femmes and the most revered and respected expert on wine in Italy. Just as he had predicted the enigmatic "Professor" who had convinced him to taste his first glass of wine. The only event that the "Professor" with his accent and his piercing blue eyes, had not predicted was that he would soon be charged with the murder of his wife Adele. While being put under pressure by the Commissioner Sanfelice, John is to reflect on the last three years of his life, dominated by a single and mad passion: wine.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.