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Lena, Alexis and Manolis are ready to run with the money of a bogus company they had founded, when Lena discloses the secret to her childhood friend Dimitris. Alexis and Manolis decide to take him along, in their small private plane. They will land in a deserted spot and try to kill him, while Lena escapes with the plane, which she throws to a swamp along with the money it carries. The people from a lighthouse nearby apprise of the situation and try to get the plane out of the swamp, hoping the money will change their fortune.
1940. Anna stay alone, her husband her brother her father leave for the war with the Italians. The attack of the Germans will give a hard blow to her family. She will continue to fight, approaching the German commander of the area.
This film is a social comment of the times, exploring issues that centre around relationships and what was allowed and what was not allowed at the time (early 60s) in Greece. There are sub-plots also, mainly relating to the life of the poor city dwellers, social injustice and seeming double standards. Aliki Vougiouklaki is a poor young girl dreaming of a better life and the "handsome prince on a white stallion" who will deliver her from her miserable existence. She meets and falls in love with a young man (Nikos Kourkoulos) who also falls in love with her, but things are not as simple as they first seem. His past comes to haunt them with tragic consequences. Vassilis Diamantopoulos is excellent as the half-crazed old captain whose life strangely echoes that of young Aliki.
A barber tries to find husbands for his four sisters so that he can marry his fiancee.
Ten women hide out on an deserted island in the Ageian after an prison break where seven men, led by an ex-Nazi, arrive on the island to search for a buried treasure and force the women to dig for them, until one strong-willed woman, named Sarah, decides to plot a revolt.
Rena’s father insists on marrying her off to the son of a shipowner. Rena, however, doesn’t even want to hear about it, so she runs away and disguises herself as a boy named Pipis. As such, she meets a poor fisherman, Lefteris, and helps him on his way to Ioannina.
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.
A parliamentary candidate and his mistress will spend the night at the police station. After all, no one is above the law, no matter what his credentials or social status may appear to be.
Madalena is a tough seventeen-year-old who is forced to take on her father's ferry business after he dies. She has her many brothers and sisters to support, and there is no one else to do the job. So she rallies her defenses and sets out to give her rival in the ferry business a run for his money. But at the same time, the rival's handsome son is starting to look better and better. Madalena refuses to acknowledge her feelings for him -- though how long she can sustain that denial is the question.
Set in the period between the two world wars in a seaside village in the bay of Amvrakikos. Two children, Petros (8 years old) and Anthoula (7 years old) spend their summer holidays. During a walk they discover in an isolated shack a boy who lives with his mother. He is rejected by the community because of tuberculosis. Petros and Anthoula become friends with the boy. They encounter the cruelty of the adults and they decide to resist.