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The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
Three middle-aged sisters and their grouchy mother confront issues with men in their lives.
This special is the second "Night of 100 Stars" to benefit The Actors Fund of America. Edited from a seven-hour live entertainment marathon that was taped February 17, 1985, at New York's Radio City Music Hall, this sequel to the 1982 "Night of 100 Stars" special features 288 celebrities.
This 1967 TV Movie featured the cast of the recent Lincoln Center and Broadway Revival of the classic musical. Starring Ethel Merman, who recreated her original 1946 role as sharp shooter Annie Oakley, the telecast co-starred Bruce Yarnell, Jerry Orbach and Benay Venuta. Running only 90 minutes and with no studio audience, this TV version was the most popular single musical special of the season for NBC. It raked in a total of 60 million viewers. The special retains a certain notoriety as a "lost" program. Seemingly the only surviving videotapes were erased at some point, with no copies found in the collections of Merman or composer Irving Berlin. A complete audio recording captured by a fan off the television can be sourced for listening online.
"On Broadway" featured Carol Channing and Pearl Bailey, both red hot after their respective runs in the smash hit "Hello, Dolly!" on Broadway. The special was filmed on the stage of the Wintergarden Theater in New York and originally aired on ABC in 1969. Together the theatrical legends playfully perform some of their most popular hits, including 'A Little Girl from Little Rock,' 'Little Green Apples,' 'If My Friends Could See Me Now,' and 'Won't You Come Home, Bill Bailey.' Next, they perform an assortment of familiar showtunes including hits from "Guys and Dolls," "The Music Man," "Hello, Dolly!," and "Fiddler on the Roof." "On Broadway" is an entertaining step back in time.
Two strangers meet when they respond to an ad in The New York Times for a river view apartment. Paul Friedman is a married advertising copywriter; Ann Miller a discontented housewife. They view the apartment, but before they can leave discover that the door has accidentally been locked and they are now trapped inside together. A connection quickly forms between them as they begin sharing things about their lives, and they find themselves attracted to one another.
Carlin recorded his only network special, The Real George Carlin, in 1973. Featuring bits about growing up in New York, the material is neither profane nor squeaky clean – but has a slice of life element obviously lacking in the cuddly Carlin of the '60s. There’s a gold star moment of longhaired George mocking a cardboard cutout of the suit and tie version, and so take-em-or-leave-them musical appearances by BB King and Kris Kristofferson. Certainly, worth a modern glance.
The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.
Though it was taped 16 years after the first A Man And His Music special, this final installment continues to uphold the high standards of the series, thanks in no small part to the accompaniment of the legendary Count Basie and his orchestra.