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A freed slave, who is descended from a murdered witch, plots revenge with her grandmother on a sugar plantation's inhabitants. Complications ensue due to her love for the master of the estate.
A beautiful gypsy named Yesenia has no set path in life. During a caravan trip she meets Osvaldo who is enrolled in the militia, they both fall in love despite their differences and social prejudices.
In Caracas, a massively built dock-worker has beef with munitions-smuggling gang, and meanwhile he's recruited to perform as a lucha-libre wrestler.
Produced on a grand scale, the Mexican Talpa relates the simple story of two brothers. The older of the siblings, Tanilo (Victor Manuel Mendoza) is a well-to-do family man; the other, Estaban (Jamie Fernandez), is one step above a wastrel. When Tanilo is felled by illness, Estaban is forced to take over the family's blacksmith business. He also inaugurates a romance with Tanilo's attractive young wife Juana (Lilia Prado). Punishment is eventually doled out in a manner which suggests that God Himself is exacting retribution on the adulterous couple. Originally released at 87 minutes, Talpa was pared down to 73 minutes for American consumption.
A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.
A group of sexy space vixens flies down to Earth, sets up a shop at a carnival (disguising their ship as a ride), and kidnap some earthlings in their scheme to conquer our planet. The humans, including Marcos, a crooked boxer and our hero, Silvia, his love interest, and a gang of comical mobsters out to kill Marcos, are taken to the women’s home planet. There they are held prisoner by the evil queen Adastrea and aided by her selfless twin Alburnia. Meanwhile, a standard issue hunky scientist back on Earth, who happens to be Silvia’s boss, tries to rescue them.
A story of passion and deceit, where love overcomes the misfortunes and finally triumphs.
José María is an orphan child who lives in desperation until brother José finds him. The priest helps the boy channel his anger and transform his sadness into energy and love.
Three interwoven stories about generational conflicts beween single mothers and their adolescent/adult children.