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Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
A husband wants to win back his wife, even though she has been living with her lesbian lover for six months.
When she lands up in the middle of nowhere, Séréna, a rather thoughtless young woman, is supposed to marry Hubert, a country squire she came into contact with through the classifieds in "Le Chasseur Français", a magazine for hunters. But she gets to know Roland, a bachelor farmer who develops an instant burning passion for her. Prepared to do anything for her, he goes as far as to holdup banks to secure the good life she longs for. Although she confesses (wrongly) that she suffers from AIDS, he is in no way discouraged. Séréna accepts to marry Roland but on her wedding night she balks at taking the "midnight exam". She runs away and meets Antoine, a married writer, who hides her in the attic of his house, without his wife knowing it.
Student Claire lives with her mother, Anne, and Sebastien — a young man Claire brought home out of pity who is now trying to seduce them both. At school, Claire meets Gregoire, who loans her a book by philosopher Soren Kierkegaard that makes the reader attracted to whoever gave it to them. Smitten with Gregoire, Claire passes the book on to her therapist, who then falls in love with her.
Fifteen-year-old Camille is a vulnerable and a strong-willed seductress- she chooses, she takes, she leaves; she can go very far in her desire for freedom. She is the daughter of disunited parents, Armand, a professor and Colette, an intellectual bourgeois. She manages to seduce Jean-Louis, a professor of letters of thirty-seven years, friend and colleague of her father. She makes him commit a lot of extravagance - he even dyed blond. Later she had a passion for Samuel, a former student of Jean-Louis, lout and trafficker. She is not easy, men learn at their expense, either sentimentally, as with the teacher, or that the first sexual experience come to ignite the relationship with Samuel.
This standard romantic drama focuses on three different couples who happen to come together in a small hotel in Rome and play out their differences in that setting. The couples are made up of a Parisian woman and her Slavic boyfriend out to spend some quality time together; a Frenchman (Jean-Noel Picq) searching for his sexually awakened teenage mistress; and a woman out to reunite with her Italian lover (Michele Placido). These people manifest different approaches to a romantic partnership that are tested in their brief encounters in Rome.
Fashion executive Dominique's obsession for Quentin, a young bisexual hustler, fills her desire for physical love but leaves her taxed emotionally. Twists and turns in the relationship, along with the man's violent and abusive nature, force Dominique to reconcile the conflicts created by her passion. In this quest, Dominique is aided, and sometimes hindered, by friends, clients, and Quentin's former and current acquaintances.
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
Julien and Marie have enjoyed 15 years of seemingly stable marriage until Anaëlle, Julien’s childhood flame, returns. Her sudden presence awakens old insecurities in Marie, who begins to doubt Julien’s devotion and question her self-worth. Amid this emotional storm, Marie is drawn to Thomas, a charismatic stranger who offers her the validation she craves.
Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.