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Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.
François Truffaut in conversation in 1977 with Richard Roud, then Director of the New York Film Festival.
Plácido Domingo hosts this tribute to American tenor Mario Lanza. Interviews, rare footage and vintage recordings chronicle Lanza's life from his Philadelphia childhood to his meteoric rise as an opera singer and film actor and his tragic death. Credited with bringing opera and classical music into the home of everyday Americans, Lanza starred in That Midnight Kiss and The Toast of New Orleans and portrayed Enrico Caruso in The Great Caruso.
Film director Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual "Who Done It" mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).
Members of the Broadway cast join Stephen Sondheim in a performance of the number. Filmed in Sondheim's apartment in New York City.
Excerpted parts of interviews conducted by Pia Lindstrom (daughter of Hitchcock actress Ingrid Bergman) and William Everson for a 2 Part episode of the TV series Camera Three called The Illustrated Hitchcock. Subjects include working with actors, acting styles, techniques of suspense, casting choices and the making of various films
An interview with Peter Bogdanovich and Henry Jaglom who were presenting films at the ninth New York Film Festival (1971). The documentary was first presented on the television program Camera Three.
Ryszard Cieslak and other members of the Polish Laboratory Theater demonstrate exercises designed to prepare the mind and body for performance.
Author-critic Anthony Burgess explores in a free-wheeling way perspectives of James Joyce's great experimental novel "Finnegans Wake". He is in the unusual setting of an Irish pub, utilizing a variety of props to illustrate his points. Burgess, erudite and ironic, brings in photographs, history and even sings a song from the book -- the "Ballad of Persse O'Reilly." All this with Burgess leaning on the big wooden bar of the pub. Internationally known author Burgess ("A Clockwork Orange", "ReJoyce", etc.) has always been fascinated by "Finnegans Wake", its idiosyncratic language, its enormously complicated structure, and its attempt to address those most universal human questions of life, death, sex, mind, and mankind's fall and resurrection.
An examination of Kubrick’s ‘A Clockwork Orange’ on Camera 3 (1972)