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Ferhat (49), a factory manager in Istanbul, and Handan (45), a bank manager, decide to have a child through surrogacy with Lia (28), a young artist of Georgian and Ukrainian descent. Shortly after their daughter Ada (1) is born, war breaks out between Russia and Ukraine. As a result, Lia is forced to stay in Istanbul with Ferhat and Handan for a while longer. Believing that surrogacy is the formula that will take her to Europe, Lia does not want to leave Ada.
Ishak, a wandering musician from a small mountain town. A lynching he was a part of 7 years ago comes back to haunt him as he returns to his town to say farewell to his dying mother. Facing the other five perpetrators--his childhood friends—as well as the community and government officials supporting them, Ishak struggles with the guilt weighing upon him. However, the bigger the crime is, the stronger the silence gets since everyone has blood on their hands.
Arrested while a student in university, Yusuf is released from prison after ten years. He returns home and is welcomed by his sick and elderly mother. Soon he will meet Eka, a beautiful Georgian girl who is a sex worker, and love becomes a final desperate attempt to grasp life and elude loneliness.
Omnibus of five short films that were shot in the Turkish province of Kars, on the border with Armenia. Among the five directors are three debutants who were chosen to film their stories after winning a scenario contest. The final result is a sympathetic collection of films that remain small and simple: the puppy love between a boy and a girl on their winter trip to school, the memories of a young woman about her mother's response to her first menstruation and bra, and the story of a student who returns to his village, but all too soon flees again for the past that is waiting for him there. The stories take place strikingly often around the cemetery and look at things from the past being revealed. The last contribution to the omnibus film is also significantly called ‘a small truth’.
An unexpected reunion between a traveling musician and his son opens old wounds as the two set out on a long journey to a troubadour festival.
The countenance of Joseba Sarrionandia is multi-faceted, not only for having dabbled in all literary forms of expression, but for having been capable of creating his own imagery, composed of endless worlds. Thus, several of the elements appearing in the literary world will undoubtedly appear here: the sea, the port, childhood, trains, uprooting, war, destruction, love, drifting, pain, fantasy, mystery, initiation, torture...
A young poet named Lal (32) spends his endless days alone with his thoughts inside his small prison cell. A sparrow, not certain if its real or if its a product of his imagination, suddenly appears inside his cell. This sparrow flying frantically while looking for an escape, pushes Lal to go on a personal journey caught in between reality and a dream. As the poet returns to the streets of the city of his childhood, he will find time frozen, his memories destroyed and his people scattered.
Tuncel Kurtiz is an international actor who has worked in various countries such as Turkey, Germany, and Sweden throughout his fifty-year career. He has starred in countless works in cinema, stage and television and has received many awards, including the Silver Bear at the Berlin Film Festival. He has directed two documentaries and a feature-length fiction film. Kurtiz's acting performance ranges from popular melodramas to major plays such as Mahabharata (Peter Brook), encompassing many different genres and styles. As an actor, Kurtiz believes in the creative power of chaos: 'Chaos is the most difficult to create / Not a false chaos / Many things come out of chaos'. Through testimonies, film excerpts, and archive footage, this documentary reflects Tuncel Kurtiz's diverse body of artistic work in all its dimensions for the first time. In the background of this detailed portrait are Turkey's turbulent years and the reality of exile.
Sumru, a young ethnomusicologist in search of her lost lover, leaves Istanbul for a three-month research project in Diyarbakır. While crossing paths with locals and tracing the pains of others through a music project based on Anatolian mournings, she comes to confront the remnants of her own agony.