Looking for movies, shows, games, or books similar to Os Carrascos Estão Entre Nós? Check out these recommendations on mosaic.
The police find the bodies of four bank robbers and the money from their last robbery burned. The fifth member of the gang, Toni, who was supposed to collect the money, tries to unravel the mystery. As Toni looks for the intellectual mentor of the assault, he remembers how you got into that situation.
Based on a radio show that was broadcast for 11 years (1947-1958) and ended only when the host and creator, the genius Henrique Foreis "Almirante" Domingues, had a stroke. There were hundreds of horror stories, supposedly true, sent by listeners from all corners of the country, radiophoned and broadcast by Rádio Tupi in Rio de Janeiro. It became a book in 1951 (reissued in 1984), a film in 1969 and a TV show in 1994-1995, broadcast by the extinct Rede Manchete.
Anthology comedy made by the director of "The Given Word" among other directors.
Brazilian criminal takes part in a major train robbery in England and when he finds out his boss plans to betray him, stoles the loot first and hide in Brazil.
Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.
Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.