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It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.
At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.
Angelo and two of his buddies set out to rob a Swiss bank, and from the start things don't go well. The man driving the getaway car packed up and left before anyone could connect him with the crime, and Angelo's other partner got shot and killed. The best he can do is grab someone's cash-filled briefcase and take a car and its driver hostage. It turns out that the driver is the daughter of the bank director, so he figures that she's good for ransom money and begins negotiations for that. Meanwhile, the briefcase he took at the bank turns out to have belonged to a man who is willing to hire killers to get it back for him. The situation grows increasingly perilous for him, and he decides to flee the scene but not before he has won the heart of his lovely hostage.
A remarkable approach to Goethe's novel "The Sorrows of Young Werther": on the one hand, a film adaptation that strives to remain faithful to the work and its words; on the other hand, an examination of Goethe's authentic story, his experiences that inspired his writing, and his retrospective comments as an old man. The dialectical connection between these two models brings to life experiences of love, loneliness, and deadly despair, leading in one case to desperate suicide and in the other to poetic processing.
Francois Korb is an arms manufacturer who sold both to the Germans and the Allied forces. Korb's home life is less than ideal, since his wife is having an affair with his brother, and his young son is inseparable from a teddy bear. To remedy the son's situation, the parents take in a little refugee girl as a temporary companion and playmate, and the two children become fast friends.
A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.
With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
Between the first and second World Wars, we portray glorified and renown naval sea officer Felix Graf von Lucker and his fictitious ship Niobe, which is the 1887 built Amphitrite from Southampton. Von Luckner is famous for his tactical genius in the first World War, especially sinking 14 enemy ships and only losing one crewman, whilst always seeking a peaceful outcome - making him the ideal seaman.
Motiv Liebe is a German television series.