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This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.
The life and times of the vagabond, prisoner, swordsman, photographer, painter, wanderer, action maker, performer, seeker of joy and freedom Alex Mlynárčík in moving images, paintings, photographs, life-plays and controversies of the times in which he lived and lives. The story of a century in which the modern identity, culture, and basic values of Slovakia were formed - as part of Czechoslovakia, but also as an independent state, and especially as part of the European community, to which our protagonist inseparably belongs with his work and life. Alex Mlynárčik, through his work, friends, opinions and speeches, has become an organic part of this story - and especially its co-creator.
A recording of a theatre performance by the Radošino Naive Theatre.
New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.
Tragicomic family film about the world of children heroes - particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before "Prague Spring" and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult's world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.
In 1980s CSSR, depressed Martin tries to overcome the feeling of being locked up with jazz music.
The paths of three women meet in a hospital room. They all perceive life as a gift, not as a meaningless punishment. By believing in life, they overcome all obstacles and seek their own dignity. Their life stories are connected by kind humor and a strong humanist accent.