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The events revolve around Abu Saleh, the municipal controller who retires from Amma because of his desire to try entrepreneurship. He works with his friend Abu Ahmed on several projects, but they are all failed, and with the succession of events, Abu Saleh decides to return to his previous job.
Nafi is a simple man, who enjoys good manners in his work, and his skill at work, but after receiving a promotion at work, his colleague Ibrahim is jealous of him and causes him to be accused of embezzlement from the company, and Nafa tries to prove his innocence.
The events revolve around a man who works in scrap spare parts and the comedic events that take place in the daily trade.
A comedy about an old married man that travels to London with his nephew who does his to save him from exposure to fraud, and being mugged in London, the play also covers some political aspects and projections in addition to social criticism of some of the Arab situations.
Brothers Mana' and Duwas make a living as street vendors, always finding clever ways to earn extra money. Tensions flare when Duwas breaks Mana’s rule to wait until their sister Fatoun marries before he does, secretly tying the knot with Lulwa and setting off a series of comedic events.
"Al-Aqdar" (Fate) is a 1978 Kuwaiti drama that follows Khalifa, a man torn between tradition and change as he considers a second marriage to fulfill his dream of fatherhood. Set amid Kuwait's transformation following the oil boom, the series explores family conflicts and the impact of modernization on personal and generational values.
The events revolve around the Wali of Justice Stan (Abu Shuja), the just governor who handles the affairs of a state that has lived in the shadow of his justice and generosity of morals for a long time. Illegal Profit draws up a plan to remove the governor and the Minister of Cheb (Badran)
Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.
Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.