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Polish Jews, who were forced to leave their country in 1968, meet every year in Ashkelon. After nearly 40 years, they share their memories of exile, loss and regret, and still consider themselves Polish.
The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.
The film tells the story of Roman Kwiatkowski, who founded the Association of Roma in Poland in Oświęcim in 1992. It also presents political decisions about Roma in Poland, from the resolution on the assimilation of Gypsies of May 24, 1952, to the start of a detailed record of the Roma population in the country in 1960.
Full of archival flavors, the story of an aristocrat cursed by his family, a man of many faces and talents living in turbulent times. Who was August Zamoyski? A lover of female beauty, an athlete, a sculptor, and a citizen of the world who draws full attention from life?
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique
Documentary tracing the filmmaker’s work in Poland, from his days as a student through The Double Life of Véronique.
Portrait of an artist as a young manic. First, a montage of still photographs of an artist's face. Then motion. He stirs in sleep; he paints and expresses frustration. He looks for a light for his cigarette. He sketches, wads it up; makes tea; stares at his face in a mirror, then looks at canvas after canvas of self-portraits.
Diaries, audiotapes, videotapes and testimonials from friends and colleagues offer insight into the life and career of Gilda Radner -- the beloved comic and actress who became an icon on Saturday Night Live.