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In "Rêves enfantins", players in the flesh are mixed with animated objects and cut-out paper actors.
A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).
Early short by French animation artist Émile Cohl. A woman becomes slowly visible in front of a black space. She points a wand and spells the word “Bonsoir” in colored letters formed from flowers.
Three girls seeking to have their fortunes told invite a witch over. When the girls' father offends the witch, she puts a hex on him and his matches.
A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.
The film presents a drawing room meeting of enthusiastic puzzle workers. One gentleman has a new way of solving his puzzle. He puts a handkerchief over the game and immediately the picture is made. Under the handkerchief, we see how, piece by piece, it is put into one finished picture. His success makes him an object of envy, however, and the gentleman meets with considerable trouble before the party is over. (Moving Picture World)
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
A bizarre musical couple falls asleep after an insane performance, and dreams about musical instruments.
A British clown invents a device which shows all people in grotesque sizes.
The great men of letters and military conquest pose on subsequent pages of a very special history book.