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Performed at the Royal Court Theatre on 16th January 1973
Winnie, buried to her waist, follows her daily routine and prattles to her husband, Willie, who is largely hidden and taciturn.
a 22-minute French experimental short film directed by Marin Karmitz and Jean Ravel, based on Samuel Beckett's 1963 play. It features actors Eléonore Hirt, Michael Lonsdale, and Delphine Seyrig in a stark, black-and-white adaptation focusing on light and sound, which was notably showcased at the 1966 Venice Biennale.
A man attempts to evade observation by an all-seeing eye.
A man is waiting, reading a newspaper, looking out of the window, etc., seen first at distance, then again in close-up, and the close-up forces a very intense kind of intimacy. His face, gestures, little sounds. Tired of waiting he ends up getting into bed. The close-up enters into the bed. No words or very few. Perhaps just a few murmurs.
A lonely man is taunted by the voice of a woman he once knew.
Sitting alone on his 69th birthday, Krapp reflects upon the last 30 years of his life as he listens to an old tape recording of himself he made on his 39th Birthday.
Two seemingly homeless men waiting for someone or something named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness.
A lonely man is taunted by the voice of a woman he once knew.
Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.