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This is a story about the families of those that once were our witnesses, our eyes and our voice, but were threatened, had to leave Mexico and forced to live in exile, seeking for political asylum. It is not about powerful journalists, it is about invisible reporters that represent the weakest links of the news network’s chain and now are living in an immigration limbo.
In the majestic Tristen Norbutse Monastery in Kathmandu, Nepal, families leave their children to start teaching the Bön, the oldest Buddhist tradition. Yongdzin Tenzin Namdak Rinpoche, a sage of Tibetan origin, is revered and recognized throughout the world as one of the great living masters of this millenary spiritual tradition. Lopon seeks to delve into the reasons for the personal search for spirituality and how this practice is integrated into Western culture.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
This is a movie built from impericia, from misunderstanding, from surprise and mutual amazement; it is a film that reflects on the idea of community, the relationship of mankind with the environment in which nature, beasts and human beings depend on each other to continue inhabiting a barren land.
The case of Héctor Rángel, who disappeared in 2009. Through various testimonies, primarily that of the Rangel sisters, the investigation explores violence, lawlessness, and ethics in mexican society.
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First came the word, then the assassin's bullet, then the silence. This strong documentary by Everardo González about Archbishop Oscar Arnulfo Romero, the voice of the voiceless in El Salvador, killed march 24th, 1980. Portrays the inevitable destiny of an announced crime and the beginning of the civil war.
In northern Mexico, residents of a cattle-ranching community struggle to survive amid harsh conditions caused by an ongoing drought.
World-renowned Mexican filmmaker Everardo González brings us inside the chilling world of Ernesto, an amalgam of various teenage boys, who, in choosing a gun and a life of organized crime, becomes both victim and perpetrator.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.