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An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
Kraft Television Theater is an American, well-received anthology series presenting live television dramas.
Omnibus is an American, commercially sponsored, educational television series.
The United States Steel Hour is an anthology series which brought hour-long dramas to television from 1953 to 1963. The television series and the radio program that preceded it were both sponsored by the United States Steel Corporation.
Playhouse 90 is an American television anthology series that was telecast on CBS from 1956 to 1960 for a total of 133 episodes. It originated from CBS Television City in Los Angeles, California. Since live anthology drama series of the mid-1950s were usually hour-long shows, the title highlighted the network's intention to present something unusual, a weekly series of hour-and-a-half dramas rather than 60-minute plays. Playhouse 90 began as a pitch by Frank Stanton—the formidable, forward-thinking right-hand man to CBS chairman William S. Paley—during a brainstorming session for program ideas. The project was ultimately developed by Hubbell Robinson, a CBS vice president who received no screen credit on Playhouse 90 but is often described as its creator.
You Are There is an American historical educational television and radio series broadcast over the CBS Radio and CBS Television networks.
The Goodyear Television Playhouse is an American anthology series that was telecast live on NBC from 1951 to 1957 during the "Golden Age of Television". Sponsored by Goodyear, Goodyear alternated sponsorship with Philco, and the Philco Television Playhouse was seen on alternate weeks. In 1955, the title was shortened to The Goodyear Playhouse and it aired on alternate weeks with The Alcoa Hour. The three series were essentially the same, with the only real difference being the name of the sponsor. Producer Fred Coe nurtured and encouraged a group of young, mostly unknown writers that included Robert Alan Aurthur, George Baxt, Paddy Chayefsky, Horton Foote, Howard Richardson, Tad Mosel and Gore Vidal. Notable productions included Chayefsky's Marty starring Rod Steiger, Chayefsky's The Bachelor Party, Vidal's Visit to a Small Planet, Richardson's Ark of Safety and Foote's The Trip to Bountiful. From 1957 to 1960, it became a taped, half-hour series titled Goodyear Theater, seen on Mondays at 9:30pm.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.
When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.