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The protagonist of the film is the Bat living in an old mill and fighting rats and crows. It’s the war fought by disproportioned forces, where the battle is won by cleverness, skill and cunning. Somewhere outside the mill another war is fought.
A mixture of popular stories are reversed and adapted to the Barbie universe. Queen Tiina (that's what these Barbies are called) asks who is the most beautiful in the city of Las Tiinas and someone dares to say that there is someone more beautiful than her. Immediately afterwards, Queen Tiina decides to kill the beautiful doll, who ends up in the sewers surrounded by forgotten toys (such as a melancholic Pinocchio and a charming rag doll).
The documentary takes the viewer on a visual journey to the recent past where extreme optimism is going to be replaced by sobering reality in the course of a year in Estonia.
A fairytale about the awkward Kohmits who frees his people from an evil spell. Based on the motifs from a Chukchee fairytale.
A family who, at the beginning of the story gives up the plan to buy toys, forms the frame for the film. Finally the same toys, the doll and the goose, find their way to them through the Christmas night. The toys’ journey ends with an extraordinary miracle that fits for a Christmas night.
PRIMAVERA is a three dimensional film featuring puppets that work in the so called telescope system which tries with the help of stylised images to visually depict the great variety existing in nature, the food chain and variations in the reproduction of different living organisms. The entire film is seen through the eyes of a butterfly larva.
Based on A. H. Tammsaare´s short story "The Fly, the Cockroach and the Spider" this animation weights the problem ethics in human relationships.
Current anthropological anima-doc focusing on the world’s cultural heritage, one of the most “vital” and tangible outputs – the cemetery architecture. Film attempts to capture everything related to the traditions of commemorating the deceased in Europe over the past 5,000 years and creates a pseudo-life with the help of the magic of anima technique hyperlapse.
The main character, Helmi, is born into the house of Baron von Strandmann in Old-Town Tallinn, in 1908. The only thing that she knows for sure about her past is that her mother was an Estonian servant girl. Everything else is a discovery during a life that runs the course of a century - a life that has quite a lot of surprises in store for Helmi. In this house she finds happiness and suffering, passion and disappointment. She grows up alongside young Erik and waits for her big love to blossom. But one floor down lives projectionist Julius - a man who is far from indifferent when it comes to Helmi. All of the biggest historical events of the century leave their mark on the house. Its hardwood floors have born soldiers' gruff boots and gentleman's shiny oxfords. Its walls have held the fates of people from far and near, foreigners and locals. Helmi's home becomes a German salon, a revolution museum, and a working class commune. And as freedom comes, real estate crooks start sniffing ...
Young and active nationalist Aleksander Kesküla makes up his mind to use Lenin, the Bolsheviks' leader, in order to start a revolution in Russia with German money and create a new national state of Estonia in the north-east of Russia. For security reasons, five doubles will be found and trained for Lenin. All of them are finally sent to Russia to instigate the revolution. How will the real Lenin put up with all this?