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Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.
Dennis O’Rourke’s documentary investigates the 1954 Castle Bravo hydrogen bomb test in the Marshall Islands and its long-term consequences. Combining declassified U.S. military footage, archival material, and interviews with Marshallese islanders and American servicemen, the film recounts how radioactive fallout affected residents of Rongelap and Utirik Atolls and explores the political and scientific context of Cold War nuclear testing.
A companion to Yumi yet, O’Rourke and Kildea’s Ileksen (derived from the English 'election’) documents Papua New Guinea’s first general election in 1977. The film records a broad cross-section of candidates who, without an extended media network at their disposal, rely on relentless campaigning, ingenuity and personal charisma to attract votes. Emphasising the divide between coastal people and highlanders, Ileksen looks at the election campaign, election day and the political manouvering that goes with the formation of a government.
Reveals how Australia's first people are still suffering from social oppression, with many living on reservations where alcoholism is rampant and unemployment the major occupation. Aboriginal land rights are a central theme: Miller clearly demonstrates the contrast between the attitudes of European Australians, who see the land only as a resource to be mined, farmed, grazed and built upon, and Aboriginal Australians, who regard the land as sacred. Archival footage compares the original lifestyle of Aboriginal Australians to their current pitiful condition, and shows how European settlers attempted to "civilise" mixed blood children by taking them away from their parents and enrolling them in boarding schools.
The people of the Bikini Atoll were removed from their homelands as a result of American testing of nuclear bombs in the Pacific. They now live on another island, dependent on American food and support. They can never go back to Bikini Atoll because it is poisoned beyond the possibility of habitation. This film is a poignant, impressive study of a people whose culture has been vanquished.
The documentary is a sort of self-portrait of O'Rourke in which he discusses 8 of his documentary films. Footage from these is interspersed with O'Rourke directly addressing the camera.
Believing that the spirits of their ancestors dwell in the mako shark, shark callers are not only hunting but also maintaining a connection with their past.
People whose family originated in India comprise just over half of Fiji’s population. Indians came to Fiji in colonial times under an indentured labour system to work in the sugar cane fields. Some indigenous Fijians wish to repossess the land now worked by the Indians and this results in Indians feeling insecure about their livelihood. The film looks at the life of Bechu Prasad, an old Indian man, who has lived in Fiji all his life in a large extended family of which he is now head. We watch him at work on his self-owned sugar cane farm and in his position as well-respected community leader who gets on well with both Indian and indigenous Fijians.
Film maker Dennis O'Rourke documents the day to day life of Aoi, a Thai prostitute through interviews with her and her family as well as taking us through some of the tourist frequented bars and night clubs.
Examining the change of culture in the small island after American television began being broadcast.