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A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.
When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.
A three-projection installation introduces a world of desert landscapes subjected to the relentless rhythm of the sun, populated by the stark silhouettes of temples and loudspeakers, among which human figures dance.
A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.
A group of friends share a cinematographical experience in a particular region of Spain, Galicia. The goal is simple: to film what they like, without preconceived ideas about what should be filmed. They want their images to reflect the feelings that unite them with the people they find along the way.
Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.
Oliver Laxe brings us closer to his immediate world: To Vilela, where he tries to raise his vital project while reflecting on spirituality, the simple and the symbolic, on the soil on which our future is rooted. The return to the primary sector is a metaphor for how to take care of the landscape and let us take care of it.
A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.
An enigmatic international spy in the service of Russia and a Spanish agent of Moroccan origin working for Europol coincide in the Syrian city of Raqqa, an enclave of the self-proclaimed Islamic State (ISIS). Both, despite being on opposite sides, have a common goal, to locate the whereabouts of one of the main leaders of the Jihad, known as The Jordan, to facilitate his elimination and precipitate the fall of the organization. In an atmosphere of mutual distrust, both will have to evade dangers, from summary executions to women sold into slavery.
A young filmmaker makes a movie honoring the life of his childhood nanny and their close bond.