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After outlaw leader Ben Wade is captured in a small town, his gang continue to threaten. Small-time rancher Dan Evans is persuaded to take Wade in secret to the nearest town with a railway station to await the train to the court at Yuma. Once the two are holed up in the hotel to wait it becomes apparent the secret is out, and a battle of wills starts.
The Hunter family has long owned a mansion on Pine Island, a summer resort located off the Maine coast. Bart Hunter's now-deceased father was able to open the mansion for free when Bart was younger. But current owner Bart, a drunkard and weak man, must now live there year round for financial survival with his wife Sylvia and their late teen-aged son Johnny, the family which is barely able to eke out a living with the mansion now as a year-round inn in an extreme state of disrepair. Bart and Sylvia are in a quietly unhappy marriage due largely to Bart's drinking. The Buffalo-based Jorgensons - husband Ken Jorgenson, his wife Helen Jorgenson and their late teen-aged daughter Molly Jorgenson - have rented rooms at the inn for the summer, while Ken looks for a summer house on the island. Ken lived on the island 20 years ago when he was a working-class lifeguard for Bart's father at that time. Ken is now a self-made millionaire as a research scientist, who had never been back to the island until now. Ken and Helen too are in an unsatisfying marriage, Helen, a shrew and prude, who seems to hate and mistrust anything and everything, including her husband and daughter. Helen only seems concerned with public perception that their lives are perfect. Upon first meeting, Johnny and Molly fall in love. Meanwhile, Ken and Sylvia rekindle a romance from 20 years earlier, uncertain if Bart knew at the time of their relationship, which did not last because of the differences in their social background. The two romances have a rocky road to potential happiness. Helen does not trust either Johnny or Molly to be morally proper. Ken and Sylvia know that their respective spouses will never consent to divorce, and if they do will do whatever they can so that they will never get to see their children again. And despite knowing that their respective parents are unhappy in their marriages, Johnny and Molly do not approve of a liaison between his mother and her father. Regardless, Ken and Sylvia want to provide their children with as much love and guidance as possible, including encouraging them to follow their hearts while not getting into trouble, a message which may not be heard if only because of Johnny and Molly believing that what they are doing is disgusting, and because of Johnny and Molly's own raging hormones.
By 1870, there has been 10 years of cruel war between settlers and Cochise's Apaches. Ex-soldier Tom Jeffords saves the life of an Apache boy and starts to wonder if Indians are human, after all; soon, he determines to use this chance to make himself an ambassador. Against all odds, his solitary mission into Cochise's stronghold opens a dialogue. Opportunely, the president sends General Howard with orders to conclude peace. But even with Jeffords's luck, the deep grievance and hatred on both sides make tragic failure all too likely.
Found injured by rancher Shep Horgan, Jubal Troop is offered a job as cowhand and soon gains Shep's trust. Mae Horgan, feeling she's been trapped into marriage with Shep, takes a shine to Jubal, although he is more interested in Naomi Hoktor who is travelling with a wagon train camped on Shep's land. Pinky, until now top hand and used to Mae's favours himself, doesn't think much of the new deal and trouble is inevitable.
Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge.
The story picks up at the point where "The Robe" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his life and is wanted for the murder of three men.
Clay Spencer and his wife, Olivia, live in a small town deep in the mountains. When Clay isn't busy drinking with his buddies or railing against the town minister, he's building the house he's always promised Olivia. He is overjoyed when he learns his eldest son will be the first Spencer to attend college, if he can resist the charms of a pretty local girl and rustle up the money for tuition.
An old man and his sister are concealing a terrible secret from their adopted teen daughter, concerning a hidden abandoned farmhouse, located deep in the woods.
Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, The Dutchman, is out to get both gold and revenge from certain people in a small mining town who had him imprisoned unjustly. The other, McBain, is just trying to go straight, but that is easier said than done once The Dutchman involves him in his gold theft scheme. Based on the 1949 novel The Asphalt Jungle by W. R. Burnett, the story is given an 1898 setting. It is the second film adaptation of the novel following 1950's noir classic The Asphalt Jungle.