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nspired by his recent trip to the USA, a filmmaker (played by Dariush Farhang) dreams of making an action film in modern Iran. Having little experience to draw on, he finds that the task is much more daunting that he had first imagined. As he faces setback after setback, he wonders if he will ever complete his project. An interesting look into the complexities of filmmaking.
One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...
One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...
Maryam believes that she does not have much time to live, but two foresights cause her to reject her own feelings. A fortune teller informs her about an engineer proposing her with flower. On the other hand, a wandered gypsy has seen a passenger in white who has taken Maryam to cure her disease. Anyway, she marries, but this is not an end for her way.
The Tangfani Pump House (Tangfani Oil Transfer Center), which was bombed several times during the Iran-Iraq War and then rebuilt, was once again targeted by Iraqi aircraft when it was opened and severely damaged. The National Oil Company officials believe that the only way to restart this important pump house, which is responsible for delivering crude oil to the country's three major refineries, is to move it underground. Specialists and workers, dressed as nomads, begin working underground, and Engineer Yeganeh is called to the area to direct the operation. In the meantime, several Iraqi regime spies, seeing the apparent halt in the reconstruction of the previous pump house, become suspicious of the movements and send one of their men to obtain information from Engineer Yeganeh through threats...
A young man leaves the sleepy confines of his village and moves to the buzzing capital of Tehran to find a job. He leaves behind his mother and fiancee, promising to return after saving enough money for the wedding. Utterly engrossed in his new life in the capital city, he encounters someone captivating enough to make him almost forget about the life he left behind. However, a shocking announcement brings him back to cold reality.
Davood and Leili in their wedding night travel to the north. In the way they meet another couple Mahshid and Arash and accompany them to the north. But Arash had an accident with a black suit man. With the help of Davood he throws the body in a swamp but this is only the beginning of their problems.
Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.