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Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to lead one of the many pirogues that head towards Europe via the Canary Island, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don't all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.
Boy Feug, a young Senegalese wrestler, meets Robert Diouf, a former legend of “lamb”, the wrestling with strikes acclaimed by a whole country. Diouf becomes his trainer, introduces him to the wrestling culture of his people, the Serer. Finally, he brings him to face the King of the Arena, the national champion, in a final fight with a dramatic apotheosis.
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...
The film opens with a striking image: seven children in rags, aged 7 to 19, crawl out from under a Brazzaville market stall where they have spent the night. Moussa Touré picks up with them there and then continues to film as they go about their business in the city, looking for food and odd jobs. Taking advantage of his closeness to the children, the filmmaker sets out to take each back to his family. But the road back is beset with difficulties that exemplify the state of Congolese society.
During the 1997 war in Congo DRC former Zaire, Francine, a 12-year-old Congolese girl, was recruited by the Rwandan army and its Ugandan ally, led by Laurent Kabila to oust MOBUTU from power. 20 years later, the Francine's mum comes to visit her. She tells her her story.
Set against the background of the French Revolution and based on Victor Hugo's classic novel this is the story of Jean Valjean who is sent to prison for stealing a loaf of bread and is released after nineteen years. He meets and cares for a beautiful but poverty-stricken young girl named Fantine who has daughter Cosette. After Fantine's death Valjean brings Cosette up but he is haunted by Javert - a policeman whose search for Valjean has become an obsession.
The entire region knows the Berthet family. When people talk about them, they call them ‘gypsies’. Larissa Berthet houses her entire tribe in her home, including Yvan, a local orphan whom she took in and raised as her son. When Yvan finds out that he is to become a father, he decides to become a ‘normal’ man. However, a local bipolar dealer, a jealous cop, an unstable ex and a Machiavellian stepmother have other plans. Luckily, his family is there to support him. But when you’re a Berthet some things just aren’t as simple as they seem.