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Lambert, a recovering sex addict, tries to redeem himself by becoming a marriage counsellor. He stays abstinent for several months, but his alluring assistant's unbridled sexuality tests his resolve.
Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.
A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.
Sylvette, a sassy waitress, Sandro, a macho guy, Sophie, a shy bourgeoisie, and Susan, an American actress, do not know each other and do not have much in common. However, they all have the same father, a scammer named Julius.
In this frothy comedy, Lucie never knew her father, but she somehow finds out he has recently died and is to be buried on a certain day at a certain cemetary. In a belated attempt to connect with her roots, she rushes to the cemetary and joins a funeral gathering. She gets to know the people at the ceremony and is soon embroiled in an art smuggling scheme and has some (probably incestuous) romantic feelings for a young man she believes may be her brother. Eventually she finds out that she went to the wrong part of the cemetary and that these people are not her kin.
People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by
A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.
Francois Cluzet and Karin Viard are the couple behind a French shopping channel whose business and marriage are both drifting towards the rocks, with Nathalie Baye as a smiling Rottweiller out to steal their business by conning them into offering a duff product, the 'Fear Eliminator,' and picking up the network for pennies in the ensuing financial fallout.
Louis asks his friend Vincent for advice for his date with a girl. Vincent is funny, endearing and talks about things lightly. The end will certainly be less so…
A missed highway exit leads Darry Marzouki, an unemployed magician, to cross paths with Irène Montier Duval, a wealthy woman carrying a Hermès bag full of cash. Out of love, she acted as an intermediary in an arms deal between a French minister and Korea. When the deal was exposed, the minister tried to pin the blame on her. On the run, she offers to pay Darry to drive her to Geneva in his BMW. The problem? The BMW isn’t his—he impulsively stole it from his hot-tempered brother-in-law, who’s out for blood. Unable to accept Irène’s offer, Darry pretends to be an activist heading to a summit in Locarno. Irène, eager for a change, plays along. They have little in common but spend three unforgettable days together—while being chased by Koreans, French intelligence, a minister, and the furious brother-in-law. In the end, one finds love, the other freedom.