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Inspired by the Cantat-Trintignant drama.
One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - Anthology Film Archive
In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.
An interrogation on the real identity of each one.
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
A couple in a hotel room in Brussels. A painting by Brueghel. In this painting, a mystery.
While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.
A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...
Essay on the attacks of September 11, 2001.