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A documentary about HH the Dalai Lama.
Set between 1945 and 1951 in the pre-Independence state of Hyderabad, the film tells the story of a young peasant, Ramiah, who rebels against the corrupt rule of the Nizam. Baring witness to the oppression and hardship faced daily by those around him, Ramiah leaves his village. However, after befriending a Marxist activist and participating in the Independence struggle, he eventually returns to wage guerilla warfare against the landlord class.
The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.
When a Dalit wins the elections for mayor in his small village in northeastern India, deadly rioting forces an impoverished couple to escape to Calcutta where they can hopefully find work. Instead, they end up sleeping on the streets until they have a chance at earning a little income -- a man has asked them to take his herd of pigs across a fast-moving river. The current is dangerous, and worse, the wife is pregnant and this would not be an easy task even if she were not. Undaunted and desperate, the couple accept the job and enter the river to face their destiny.
The narrative in Parikrama travels through multiple spaces and times, through parallel experiences of its twin protagonists that criss-cross each other, though they come from worlds apart. Alessandro is an Italian writer-filmmaker making a film on Narmada Parikrama, an age-old pilgrimage along the holy river Narmada. In the course of his cinematic journey, Alessandro meets a village boy, Lala, who fled home to secure dignity and land for his displaced peasant family. Lala is almost the same age as his son Francesco, who lost his mother in the recent past. The narrative unfolds the story of two boys, one without his mother, the other without his motherland. Alessandro’s narrative takes a new turn as the river Narmada flows by.
A father encourages his daughter to marry a dying man in order to inherit his wealth.
Dasrath Joglekar (Nana Patekar), a celebrated writer, travels to Delhi to receive the prestigious Literary Award. During the journey he meets a young film maker (Nakul Vaid), an ardent fan of Dasrath’s writing and the encounter brings back memories from the past. Memories from the past and passion bring him to Mehendi galli where people flock to enjoy mujra dances. The entire area has changed. Lajvanti alias Lajobai has become Miss Lisa, presenting popular film songs numbers to entertain a new clientele. Dasarath’s sudden appearance is a great surprise for Lajvanti. The character of his novel Janaza comes alive at an unexpected juncture. Lajvanti shows her reverence to Dasrath by singing melodies from their past. Fate accomplices another journey into the unknown is created.
Ghose’s first major film is a documentary about the 1974 Bengal famine, analysing how famines come about and chronicling their impact in the cities and the villages of India. Made on a Paillard Bolex by a group calling itself the ‘Joris Ivens collective’, it was one of the first Indian documentaries to face censorship under the Emergency. Much of the footage reflects Ghose’s preoccupation, later developed in his features, with people surviving on the margins of society.
The film is about a woman belonging to nomadic tribe from Andhra Pradesh, known as crow hunters, who elopes and moves to south Bengal and makes a living by occult practices. It deals with the issue of exploitation of tribal people by the deceitful landlord.
A documentary on life of Ustad Bismillah Khan by Goutam Ghose.