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A timeless and titillating tale of the immoral private lives of the royal court's high officials. All the bed and body hopping is not exclusive to the family, either. Their maids and servants get involved as well, leading to flesh, fibs, and suicide, among other things. Taken all together, this is an all-time classic of sumptuous sexuality.
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."
Word of a monster ape ten stories tall living in the Himalayas reaches fortune hunters in Hong Kong. They travel to India to capture it, but wild animals and quicksand dissuade all but Johnny, an adventurer with a broken heart. He finds the monster and discovers it's been raising a scantily-clad woman, Samantha, since she survived a plane crash years before that killed her parents. In the idyllic jungle, Johnny and Samantha fall in love. Then Johnny asks her to convince "Utam" to go to Hong Kong. Lu Tien, an unscrupulous promoter, takes over: Utam is in chains for freak show exhibitions. When Lu Tien assaults Samantha, Utam's protective instincts take over: havoc in Hong Kong.
A magician makes money by charging people to cast love spells on the objects of their affection. Complications arise when he decides that he wants a customer's bride for himself.
The Emperor's armies have developed a new weapon: a thrown blade that can remove someone's head from long distance. As the paranoid Emperor begins decapitating anyone he fears might be a threat, his guard Mau Tang becomes disillusioned with the excesses of his master. He leaves his post and takes up the quiet life of farming and raising a family. Eventually, though, his past catches up with him, and he must find a way to fight the flying guillotine if he is to save his head.
THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.
While international favorite David Chiang was best known for his roles as a grinning, streetwise, fighter in many Chang Cheh-directed classics, he rarely played a noble warrior monk. But here he portrays the great Chih Shim, the monk who saved the Southern Shaolin Temple. Making this production all the more notable is Lo Lieh, Shaws' first international star, who returns to a role he also made famous - that of Shaolin renegade Pai Mei. This, and even more, makes for a true martial arts epic of the first order.
Li Zhishan is a rich man, but wealth cannot keep the loyalties of his wife, who has been visiting the bed of a rival. She helps plot against him, and the Vicious Long Brothers invade his home and steal the Golden Dragon Blade - a sword that makes its wielder unbeatable. Zhishan, crippled in the attack, and his young daughter are whisked away by a devoted servant, and the trio soon find shelter in the home of an herbalist. Years pass, the daughter grows up to be a lovely young woman and a powerful fighter, and the Long Brothers use the Golden Dragon Blade to gain power in the region. Zhishan's family of sorts has managed to stay well hidden, but a trip into the city - the daughter's first - sets off an old power struggle as Zhishan's wife discovers her daughter is quite alive.
The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man
A cripple takes revenge on criminals by using a magic spell that transforms him into an oily monster/superhero.