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Vincent Kucholl and Vincent Veillon are back on stage with "Le Fric", a new show that laughs at money and the economy. Money is always a problem. Whether we have enough, too much, too little or not at all. Even if we find it vulgar, it directs the desires, needs, relationships, the position of each in society. Its possession or not classifies men and women and defines their room for maneuver, the freedom to which they can aspire, the power which they have.
Woodkid live at the 50th Montreux Jazz Festival - 15.07.2016
She's back in all her glory, much to our delight. Marie-Thérèse Porchet dances, sings, and talks about the highlights of 2023. She is accompanied by the troupe from La Revue de Lausanne, Yann Lambiel, FORMA, and Nathanael Rochat. Behind-the-scenes glimpses of RTS add spice to this festive show. She might not recognize anyone! Her last appearance on an RTS New Year's Eve show was in 2012.
The Fête des Vignerons is opening its doors to Swiss comedians and searching for that rare gem for its 2019 edition. While artists from the new generation are rushing to audition, Marie-Thérèse Porchet doesn't understand why she should stoop to auditioning, as she is so certain that she alone embodies the spirit of the legendary Vevey festival. Will she achieve her goal despite stiff competition?
It's no longer a mystery, Marie-Thérèse Porchet is not née Bertholet, but Gorgoni, without a skirt or purse or wig. Joseph tells his story and that of his character. The one who has played Marie-Thérèse for two decades discusses the women of his life, the ones who inspired him, including his grandma, his boss, and one of his idols: Zouc. Without forgetting Dalida, Nina Hagen, Madonna, or Diane Dufresne, who contributed to the fact that at eight years old, when asked what he wanted to be when he grew up, Joseph replied without hesitation: "singer."
The crisis is the crisis, it's because of the crisis! Marie-Thérèse can't take the crisis anymore! Until one day she realizes that a show is a business like any other, and she decides, like some unscrupulous employers, to use the crisis to increase her profits. She plans to reduce the number of technicians, have her costumes made in Eastern Europe, lay off some musicians and replace them with cheaper ones, or even recorded tracks. Inevitably, a serious labor dispute breaks out in the middle of the show between Madame Porchet and her staff, who decide to go on strike and hold their boss hostage! Marie-Thérèse must therefore face all the problems of a business leader and, through difficult negotiations, she will try everything to get the show to its conclusion.