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The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.
Breathtaking sets and costumes are designed by Ezio Frigerio and Franca Squarciapino in this exceptional production, recorded at the Palais Garnier in Paris. Direction and choreography in this fully restored version of Marius Petipa's original ballet are by Rudolf Nureyev. Live performance recorded in 1994.
Alexandre Tarta's production of Berlioz's opera, recorded live at the Salzburg Festival in 2000. Sylvain Cambreling conducts, with performances by Jon Villars, Russell Braun and Tigran Martirossian.
Live from the State Opera Under the Linden, Berlin 1999. Choreographed by Patrice Bart.
Theatrical recording of the play from "Black Blood": 1917 was the year during the Great War that nearly led to a revolution in France. At that time, Merlin was a modest but passionate professor. Nicknamed Cripure by his students, he spent most of his time reflecting on the human condition, in the light of God, which was supposed to exist. Filmed in Théâtre du Cothurne in Lyon.
In the second part of this magnificent concert celebrating music from across Europe, Lukas Sternath, Martha Argerich, Bruce Liu and Hayato Sumino perform the finest piano concertos by Beethoven, Schumann, Tchaikovsky and Rachmaninoff.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.